It will come as no surprise when I say that 2020 was a filmgoing year like no other. A large portion of the year’s blockbuster releases including No Time to Die...
If there’s one filmmaker who has dominated the niche subgenre of video game adaptation more than anyone else, it’s Paul W. S. Anderson. He’s the writer and four...
Wonder Woman was a critical and cultural revelation in 2017. It proved to studios that a giant, female-led blockbuster could be one of the biggest hits of the y...
After an agonisingly long six-year wait, we finally have a new film by one of the greatest directors of the last 30 years—David Fincher. In all fairness, we hav...
The Christmas romantic comedy isn’t a new concept, but a big mainstream release with queer lead characters in this genre absolutely feels refreshingly new—and c...
The second season of Amazon’s dark and disturbed deconstruction of the superhero genre has ended, and it’s proved that the fantastic first season wasn’t just li...
Jagshemash! In a year as chaotic and unpredictable as 2020, it only makes sense for comedic maestro Sacha Baron Cohen to return with another round of biting sat...
Anyone who is privy to Sofia Coppola’s filmography will know that she is obsessed with ennui and people in a state of flux—adoring the exploring of the miniscul...
Creating a coming-of-age film focusing on a character with a terminal illness is always a tricky line to balance. We’ve had The Fault in Our Stars, Me and Earl ...
Fifteen minutes after the final episode of Normal People concluded, I had begun to compose myself. I’d only just started to control my breathing; my eyes were s...