‘Knives Out’ delivers a fresh twist on the classic whodunnit formula
Whodunnits have been a part of the popular consciousness longer than any of us can remember. Inspired by...
Daniel Patterson
‘Ford v Ferrari’ is one of the best crowd-pleasers of the year
Much like Once Upon a Time in Hollywood was earlier this year, Ford v Ferrari is a throwback...
‘The Report’: the CIA gets put to task in one of 2019’s angriest films
You’d be forgiven for thinking The Report would be a dull viewing experience. Yes, it may be about...
‘Last Christmas’ is clichéd and saccharine but has a fair dose of heart
The classic cinematic Christmas film seems to have gone out of fashion in the past few years. With...
‘Ready or Not’: Where gore and disturbed in-laws are a plenty
Matt Bettinelli-Olpin and Tyler Gillett’s Ready or Not is one of the most absurd and brazenly entertaining horror...
‘Zombieland: Double Tap’ isn’t exactly necessary but has just enough bite to satisfy fans
Much has changed since Zombieland hit theatres in 2009. The MCU has become a cinematic behemoth, Disney is...
‘Ad Astra’ provides a meditative, reflexive and haunting interstellar journey
The infinite, never-ending darkness of space so often provides the perfect cinematic canvas for intimate self-reflection. It’s an...
‘The Nightingale’ is confronting and essential Australian cinema
If there’s one film this year that needs a warning before seeing it, it’s The Nightingale. On its...
‘Once Upon a Time in Hollywood’ shows Quentin Tarantino at his most tender and personal
The majority of Once Upon a Time in Hollywood takes place over a few days in February during...
‘Happy New Year, Colin Burstead’: Where the family gathering of your nightmares is on show
In a year where it feels like a new superhero film is coming out every month, it’s refreshing...
